OUR TEAM

  • Molly's been with the Every Woman Biennial since 2014 and has worn the Executive Producer/Managing Director hat since 2017. With Founder Christine Finley, Molly's taken the EWB from a one-day art show to a two-week, multicity, international art event. Molly also serves on the EWB Board of Directors as VP and Treasurer.

    A Texan turned New Yorker, Molly is an all-in-one balanced combination of creativity and business savvy. She left her corporate real estate job in 2015 and started her boutique firm, Caldwellings Real Estate, primarily serving artists and creatives. She’s been featured in O Magazine for her culinary prowess, worked on independent films, and collaborated on various art projects with the HOWDOYOUSAYYAMINAFRICAN collective (Whitney Biennial), FiveMyles Gallery, and the Every Woman Biennial. Molly also enjoyed a stint at Brooklyn Botanic Garden managing and creating membership events for 18,000+ members, developing marketing and branded collateral for the membership department, and increasing membership sales by $100,000 in a single weekend, a Garden record.

    Molly holds a BA in Opera Performance and Sociology from Sarah Lawrence College and is a firm believer in building it if it doesn’t exist and building it better if it does. She lives in Brooklyn with people, cats, and a garden that is a constant source of inspiration.

  • Eddy Segal is a multi-disciplinary artist known for her talismanic paintings, murals, and maximalist installations. She started her career in New York as a photographer, publishing “Tomorrow All The Candy Goes on Sale,” a lush tome chronicling the intimacies and pleasures of Eddy’s creatures-of-the-night chosen family.

    Eddy sparked the idea for the Every Woman Biennial--formerly the Whitney Houston Biennial--and co-curated the 2019 Los Angeles iteration of the show. She has had solo shows with Superchief Gallery and Pushpin Gallery at Lincoln Center. In 2022 La Mama Galleria featured Eddy’s larger-than-life painted gowns in a show titled after her piece “Our Mother the Mountain.” She has done special projects with Global Fashion Exchange, Pandora Jewelry, and iconic Mexican pop star Zemmoa.

    Eddy holds B.A.s in Anthropology and Photography from Fordham University. She recently relocated back to New York after years working in L.A. and Mexico City and divides her time between studios in Brooklyn and the Poconos. This is her first year as Artistic Director and she also manages the EWB social media accounts.

  • Jerelyn Huber is a freelance curator and private studio manager based in New York. She holds two B.A.s in Art History and International Affairs from the University of John Cabot in Rome, Italy. Since moving back to America she's taken an interdisciplinary approach to all her work with a focus on collaborative relationships while attending to an artist’s needs and vision. Jerelyn has assisted in producing and curating shows at LaMama Galleria, Westbeth Artist Center, Toth Gallery, Spring Break, NADA Art Fair, and the Irish Arts Center.

    Jerelyn focuses her energy exclusively on projects involving queer women of varying generations and career points. The Every Woman Biennial represents the culmination of her intersectional values and interests. Jerelyn has been with the EWB since its second iteration in 2017 after returning from Rome, Italy where she met painter and biennial founder, C. Finley. When Huber returned to New York and began working for Finley Studios, the EWB was a logical outlet for her experience and creative prowess. Jerelyn has been Assistant Curator and many-hat-wearer for the Biennial since 2017. In 2024 she steps into the Gallery Production Manager role as well as co-curating. Jerleyn also serves as Secretary on the EWB Board of Directors.

  • C. Finley, Founder the Every Woman Biennial is known for her elaborate paintings and intense use of color, monumental murals, multi-disciplinary collaborations, and her activism through urban art interventions, including her acclaimed Wallpapered Dumpsters. 

    As the creator of the Every Women Biennial—formerly the Whitney Houston Biennial, 2014 to 2024, she exhibited over 1,400 female and non-binary artists in New York, Los Angeles, and London. The result was an interdisciplinary explosion of art hung salon style. By presenting such a rich variety—from paintings to performances, sculptures and flash mobs—the Every Women Biennial is a social practice artwork in itself.

    Her art and public works produce the conditions needed to change our world, encouraging other artists to create alongside her in spaces defined by vibratory beauty where all are welcome to glimpse the utopia that is already present, that we need only lean into.